The album is sure to have its haters, more so hell bent on writing off anything the former IKTPQ front man does rather than the actual integrity of the music.   There is however no denying that Cancer marks a positive step forward for Australian metal and with its inception should see Confession make their move on a global scale.

Almost Home is without a doubt one of the most perfectly rounded releases you are likely to hear this year, and there is a little something in each song for those who are after a heavier flavour.

It’s no secret that Williams’ vocals are basically what makes Paramore- well, Paramore. As a fan, this album has managed to deliver everything that I hoped it would. If this is them now – I can’t wait to see what they’ll be able to accomplish once they hit their mid-20s. 

Brand New obviously tried to do something brand new, but flooded it with their previous trademark thrashing rock, making the whole album a little difficult to digest. 

Sticking to the safe formula has caused Mayday Parade to release an album that may turn away some old fans. 'Anywhere But Here' certainly leaves room for improvement.

‘Sub Rosa’ is a five-track composite of rhythm, groove and discordant rock. Nothing new but nothing bland either – just something in between. It is worth a run in the stereo.

If you’re a blues fan, this album will definitely deliver. The Black Crowes are a terrific band, and always manage to put on great live performances and record fantastic songs as well.  Perfect Sunday night record, and is just as capable to make you dance, as it is at telling a great story.

Look out for these guys – they’re something to watch.

Concept albums are normally difficult to comprehend, but ‘Hospice’ really succeeds in telling a story and taking the audience along with it for the ride. 

‘All Shall Fall’ is deliberately heavy and symptomatic of the Black Metal genre. Consistent, precise and daringly evil, Immortal showcase that they will continue to be a major player in heavy music for years to come.